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(Piano, organ, arranger, b. 1938) Self-taught, Carla Bley is as respected for her compositions and arrangements as for her excellent piano and organ playing. In the 1950s she was briefly married to pianist Paul Bley, who championed her works. In 1965, with her second husband, trumpeter Michael Mantler, Bley co-founded the Jazz Composers ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Al-es-san’-dro Skär-lat’-te) 1660–1725 Italian composer Scarlatti was born in Sicily but spent most of his working life in Rome, where he studied, and in Naples. He made important and prolific contributions to the genres of opera, oratorio, serenata and cantata forms, composing a much smaller quantity of instrumental and keyboard music. His musical talent attracted the attention ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

(Do-man’-e-ko Skär-lat’-te) 1685–1757 Italian composer and harpsichordist Domenico Scarlatti was the son of Alessandro Scarlatti. He was born in Naples and lived there until 1704, when he joined his father in Rome. The following year he travelled to the cities of Florence and Venice; during his time in the latter he met the great composer of the era, Handel. Scarlatti ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

(Piano, synthesizer, b. 1932) Paul Bley came from Montreal to New York in the early 1950s and worked with Jackie McLean. Later, in Los Angeles, he pioneered free jazz with Ornette Coleman. Throughout his career Bley has performed the compositions of his ex-wives – keyboardist Carla Bley and singer/pianist Annette Peacock – and his own pieces, ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

1660–1725, Italian Sicilian-born Alessandro Scarlatti came to the attention of the Italian opera world with his first opera, Gli equivoci nel sembiante (‘Mistaken Identities’, 1679), which he wrote when he was only 19. The work was soon being staged by opera houses outside Rome, but this was not the limit of Scarlatti’s new renown. At around the same ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

Premiered: 1707, Venice Libretto by Girolamo Frigimelica Roberti Act I King Farnace and Stratonica, Mitridate’s mother, have usurped the Pontus throne by killing Mitridate’s father. Mitridate, the true heir, has sought refuge in Egypt; his sister, Laodice, awaits his return and dreams of avenging her father’s death. Egypt and Pontus are set to form ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

(Vocals, b. 1942) Aged 17, Thomas recorded ‘Gee Whiz (Look At His Eyes)’, the 1960 track that put Stax Records on the national map with its first Top 10 hit. She went on to become the Queen of Memphis Soul, backed by the talents of producer Isaac Hayes, house band Booker T. And The M.G.s ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

(Various saxophones, 1936–70) Albert Ayler was one of the most controversial free-jazz performers. Eccentric and tirelessly inventive, he shifted ensemble roles in his music so that drummers and bassists were on equal ground with the horns. Ayler influenced John Coltrane and many younger saxophonists, and his recordings gradually moved from free jazz towards rock and soul themes. Spiritual ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Piano, orchestra leader, b. 1960) Arturo O’Farrill is the pianist and music director of the Latin jazz orchestra his father, Chico O’Farrill, organized upon his comeback in the mid-1990s; he has also worked with keyboardist-composer-bandleader Carla Bley, trumpeter Lester Bowie and the Fort Apache Band. Upon Chico’s death in 2000, Arturo inherited his bandbook and ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Electric bass, b. 1940) One of a handful of electric-jazz bassists who have shaped the sound of the instrument, Swallow was a student at Yale University when he became attracted to music. An early apprenticeship with pianist Paul Bley grew into a long-term association and the two recorded frequently. Vibist Gary Burton provided another ongoing musical relationship. After a ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

May Nick Mason’s Fictitious Sports In May 1981 Nick Mason became the third Floyd member to release a solo album when Nick Mason’s Fictitious Sports was released. ‘Fictitious’ was something of a pun as the main writer of the jazzy tracks was pianist and composer Carla Bley. ‘I wanted to make a record of stuff that I like, by musicians ...

Source: Pink Floyd Revealed, by Ian Shirley

(Bass, b. 1937) Charlie Haden’s famed work with Ornette Coleman represents just one small facet of the versatile bassist’s career. As a child in Iowa he performed on radio with his family’s country and western band. At 15 he took up the bass while recovering from polio, acquiring a novel technique that makes his notes resonate deeply. Haden moved ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Vibraphone, b. 1943) Gary Burton is one of the most impressive vibists in jazz, at times using four mallets in order to harmonize with himself. He began his career in country music with guitarist Hank Garland, played jazz with George Shearing and Stan Getz, and then helped to instigate the jazz-rock fusion movement through his group with ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Founder, Stax Records, b. 1930) Stewart founded Memphis-based Stax Records in 1957 with his sister, Estelle Axton. Local musicians became the house band, Booker T. And The M.G.s. Their backing on many recordings defined the gritty Southern Soul sound. An early hit by Carla Thomas attracted Atlantic, who took options on all Stax releases ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

(Clarinet, baritone, tenor and soprano saxophones, b. 1921) Jimmy Giuffre composed ‘Four Brothers’ for Woody Herman’s saxophone section in 1947 and later joined the Second Herd. He formed his important trio with Jim Hall (guitar) and Ralph Peña (bass) in 1957, then replaced bass with Bob Brookmeyer’s trombone in 1958. A subsequent trio with Paul Bley (piano) ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel
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